All you need to know about Film Lighting: Part 2 | Light Source & Direction. - Filmmakers Fans
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All you need to know about Film Lighting: Part 2 | Light Source & Direction.

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All you need to know about Film Lighting: Part 2 | Light Source & Direction.

In the first part, we have discussed about the Hard & Soft Lighting and how those creates Highlights and Shadows. Now, we’ll talk about Light Source & Direction.

Many filmmakers insist on using Natural Light exclusively while others prefer Artificial Lighting to add more drama. Documentary films mostly use Natural Lighting which makes it look more realistic.  In fictional films, however, Artificial Lighting is used extensively. You might often notice Light Sources within the frame, eg- a tube light, a lamp, a bulb, etc., but those are not the primary sources of Light. Based on these visible sources Lighting setup will be done.

In this shot from Satyajit Ray’s Pather Panchali (1955) (DOP- Subrata Mitra), all Natural Light has been used. No Artificial Light is used in this scene. The natural light adds to the realism and the beauty of the landscape.

Pather-compressed

In this Shot from Mani Ratnam’s Roja (1992) (DOP- Santosh Sivan), Artificial Light has been used. While the visible source of Light is the fire in the middle, you can easily notice that is not the only light being used. Key Light has been used to highlight the faces. But, the whole lighting setup is done based on the visible source of light, i.e., the fire. Hence, even if artificial light is used, it doesn’t seem odd to us. The artificial light adds drama to the scene and sets the mood of the scene for us.

 Roja    Film lighting Technique Demonstration: A snap from Mani Ratnam’s Roja 

 

To light a subject normally two Light Sources are needed:

  1. Key Light– It is the most important & dominant Light in the Setup which casts the strongest shadows and is highly directional. It can be directed towards the subject at any angle. It generally corresponds to the visible source of Light in the frame. If Key Light is not used, the subject will appear as silhouette.
  2. Fill Light– It is less intense than the Key Light. It is used to reduce the contrast in the frame by softening/eliminating the strong shadows cast by the Key Light.

Three-point Lighting Technique:

Classical Hollywood Cinema put emphasis on style of filmmaking techniques, that are so fluid and goes with the narrative of the film that these techniques is invisible to the viewer. One of those techniques is Three Point Lighting which uses at least three light sources per shot to illuminate the subject- Key light, Fill Light and Back Light. How these Lights are setup and the effect created can be seen in the attached video.  Three-point Lighting is still widely used in situations where the subject is the main focus and should be differentiated from the background

Another feature of Lighting is the Direction of the light with respect to the subject lit & the colour of the light. This video explains how the Direction and Colour of the light effects the scene.

 

 

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Dibakar is a keen observer of Music and films. He reads and writes about films and is also interested in composing instrumental Music. He has a knack of researching about anything that interests him. Usual talks of him are mostly about the contemporary cinema and its analysis. Dibakar is a graduate, specialized in the field of computer Application.

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